"Endless" was born from a place where time has no clear direction. The process began as an attempt to capture something that refuses to be contained: a movement that doesn’t end, an idea folding over itself. Each layer of this piece emerged almost like a dialogue — between me and the image, between light and darkness, between what is fluid and what is rigid.
I let myself be guided by the initial flow, almost as if I were following an invisible trail. The central form was the first to appear, a kind of liquid spiral that seemed to carry its own gravity. It pulled me inward as I tried to understand how far it wanted to take me.
The fragments around it — these windows, these intervals — came later. They are echoes of what remained from that initial flow. They weren’t planned but appeared as small interruptions in the process, like breaths within the composition. With every detail added, I sought to maintain a balance between control and surrender, between directing the image and being guided by it.
Working on "Endless" was, above all, an exercise in permanence. To remain in this space where the image never fully closes, where the cycle never truly completes. Perhaps that’s why, even after finalizing the piece, I still feel it continues to move — somewhere, beyond the screen.
labyrt
"Endless" was born from a place where time has no clear direction. The process began as an attempt to capture something that refuses to be contained: a movement that doesn’t end, an idea folding over itself. Each layer of this piece emerged almost like a dialogue — between me and the image, between light and darkness, between what is fluid and what is rigid.
I let myself be guided by the initial flow, almost as if I were following an invisible trail. The central form was the first to appear, a kind of liquid spiral that seemed to carry its own gravity. It pulled me inward as I tried to understand how far it wanted to take me.
The fragments around it — these windows, these intervals — came later. They are echoes of what remained from that initial flow. They weren’t planned but appeared as small interruptions in the process, like breaths within the composition. With every detail added, I sought to maintain a balance between control and surrender, between directing the image and being guided by it.
Working on "Endless" was, above all, an exercise in permanence. To remain in this space where the image never fully closes, where the cycle never truly completes. Perhaps that’s why, even after finalizing the piece, I still feel it continues to move — somewhere, beyond the screen.