Death Spell is a short animation from my Alive series, where I reimagine Bosch’s chaotic universes through my own symbolic language, breathing life into my painted worlds.

In this scene, a surreal, hallucinatory hellscape unfolds. A mysterious creature performs a dark ritual, casting a spell on a figure riding a bull. As the enchantment takes effect, the rider’s perception of reality begins to fracture, spiraling into a nightmarish delirium. Disoriented and powerless, he become trapped in an ever-worsening horror—until death, patient and inevitable, claims him.

Death Spell is a short animation from my Alive series, where I reimagine Bosch’s chaotic universes through my own symbolic language, breathing life into my painted worlds.

In this scene, a surreal, hallucinatory hellscape unfolds. A mysterious creature performs a dark ritual, casting a spell on a figure riding a bull. As the enchantment takes effect, the rider’s perception of reality begins to fracture, spiraling into a nightmarish delirium. Disoriented and powerless, he become trapped in an ever-worsening horror—until death, patient and inevitable, claims him.

Le Pain Maudit is a short animation from my series Alive, where I reinterpret Bosch’s chaotic universes through my own symbols and signs. This piece animates a scene inspired by the 1951 mass poisoning in France, where 250 people fell victim to ergot-contaminated rye bread. Ergot is a fungus which produces effects akin to LSD, causing hallucinations, burning pain in limbs, muscle weakness, and, in severe cases, gangrene and death.
The chaos in this work is a metaphor for the instability we face today in Argentina—a nation grappling with economic crises and social despair. A country where current reality reveals a pervasive sense of uncertainty, with systemic issues poisoning daily life

Hell’s Vortex is a short animation part of a series called Live Paintings, where detailed deconstructions of Bosch's works are reimagined through my personal symbols and signs. This specific piece brings to life a chaotic scene inspired depicting a creature with an axe battling demons as they are sucked into a vortex descending into deeper levels of hell. The art explores destruction, transformation, and the cyclical nature of chaos, drawing a parallel to contemporary struggles while immersing us in a surreal, living universe.

Part of the Live Paintings series, Clavicula Salomonis Grimorium: Hell Descension, or How to Live in Argentina with a Base Salary reimagines one of my deconstructed Bosch-inspired paintings, brought to life through animation. The detailed scenes, rich recreated with my own signs and symbols, envision what might occur if these paintings were alive. In this animation, a demon descends into hell, battling surreal forces—a poignant analogy for the current economic struggles in Argentina.
The work reflects how the new political and economic policies are driving people deeper into poverty, illustrating the harsh realities of surviving on a base salary in today's Argentina.

Killer Beings from Outer Space is a short animation which I like to call living painting, born from my series Deconstructions. Inspired by Bosch’s visual language, this work reinterprets his art but using my own color palette, signs, and artistic approach. The animation depicts a surreal aquatic world—a strange city or kingdom—populated by bizarre objects and beings.

A mysterious spaceship with three strange beings hovers above, observing and inspecting the scene. Its presence raises questions: What are their intentions? Are they planning to destroy Earth? Are they trying to dismantle reality itself?
We will never know...

Devil’s Scream is a living painting born from my series Deconstructions, inspired by Bosch’s visual language but reinterpreted with my own signs, palette, and style. In this animation, a demon emerges and screams a raw, visceral act of liberation and rage. The scream symbolizes a release of suppressed energy, a reclaiming of freedom from the chaotic, surreal world it inhabits. This work expands painting into movement, capturing a moment of transformation where anger becomes catharsis, and silence is shattered into expression.

The Devil’s Tritone is a musical interval once feared for its dissonance, earning the nickname The Devil’s Interval. Made of three whole tones, its unsettling sound clashed with the ordered ideals of medieval sacred music, symbolizing chaos and the forbidden.
Over time, its unique tension became a driving force in the evolution of Western music. Composers introduced accidentals to manage its sharpness, shaping modern scales and expanding harmonic possibilities. Today, far from being shunned, the tritone adds depth and emotion to jazz, rock, and classical music, transforming its discord into a source of creative power.
The music and concept in this animation is inspired by this tritone and the deconstruction of Bosch’s vision of Hell.

This short animation tells the gripping tale of an archangel's desperate struggle to ascend to Heaven, breaking free from the dark spell of a cunning minor demon.
Meanwhile, a monstrous entity unleashes fiery torment on condemned souls, exposing them to eternal agony in the depths of Hell.
Reinventing Heaven explores themes of redemption, despair, and the eternal clash between good and evil.
Created during Blueprint Cohort 2, a program crafted to empower creators to go viral onchain under the mentorship of Web3 legends.