Thank you Zora and Optimism!

Sometimes it feels the same,
No matter where you look.
Left, right, inside,
It feels the same.

You don’t know here,
But you know you are here.
It feels the same,
Like an old dream you’re having for the first time.

Still under construction.

What do we immortalize when we choose to preserve? Is it the fleeting echoes of laughter we hoped to bottle up, or the oppressive quiet that settled in the room once the laughter faded? If we place an old photograph inside, does it capture only the brilliance of that joyful day, or does it also carry the shadows of the years that unraveled, revealing the dainty murk we once swept under the rug?

When we press a flower, is it the vibrant bloom we wish to remember, or do we also lock away the agony of knowing it will never bloom again? Does a family heirloom carry only the gleam of pride, or does it still echo with the stories of sacrifices we never speak of?

What do we owe the future when we make choices about preservation? Are we gifting ourselves the weight of our struggles, or offering the light of our most beautiful dreams? Will we ever untangle the dual threads of what we cherished and what crushed us, or will we be forced to decipher the new meanings of our relics as best we can?

In the end, does the act of preserving transform the burden into something more bearable, more beautiful? Or does it simply remind us that beauty is never free of consequence, and that what glitters most brightly in memory often carries the heaviest shadow?

When we unearth this capsule in years to come, will we marvel at the radiance of what we saved, or feel the unspoken sorrow we tried to hide?

My piece (and other pieces) currently showing in billboards across Belgium.

Meal prepping for lunch.

The sparkling kind.

Why would you give up today, when you could win tomorrow?

POV: You just got paid.

Pull me out of this bottle.

A collection of haïkus about the painstaking nature of patiently waiting.

Participants in an existential bookmark.